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Contact Carretera de Constantí, Km.3, TV-7211 43204 Reus - Tarragona - Spain Edificio Barebone S.L. info @ newartf.org

<-- Return Histo ry of the In 2003 the .NewArt { collection;} was born, formerly known as the Beep Collection of Electronic Art. It is the result of the combination of interests of Marie-France Veyrat and Andreu Rodríguez Valveny, an artist and a technological pioneer, and his friendship with Arnau Puig, co-founder of Dau al Set, who proposed to celebrate the Beep Prize for Technological Art in Barcelona. This early project received in 2006 a new boost by creating the ARCO-BEEP Electronic Art awards, in collaboration with the ARCO art fair. In addition to the transcendence of the awards themselves, their organization produced a key meeting for the development of the New Art project { foundation;}: the incorporation of Vicente Matallana to the team. A pioneer of technological art who, through his company LaAgencia, founded in 1998, has been involved in almost all of the key events in this field in Spain. Thanks to this meeting a complicity arose that, with almost two hundred works, has created in 20 years a collection of technological art of reference to the international context. In 2013 the project took one step further by creating .NewArt { foundation;}. Together with the Col·legi Oficial d’Enginyeria informatica de Catalunya (COEINF), l’Associació d’Enginyers de Telecomunicacions (ACET), el Col·legi d’Enginyers Industrials de Catalunya, the support of the Universitat Oberta de Catalunya, as well as a series of outstanding companies and professionals from Catalonia. In this way, the collection provided the necessary tools to be able to develop its work for the benefit of society. Currently, after 20 years of activity, as a key player on the local and international scene, collaborating and participating in all the great events and initiatives of the sector in Catalonia, the .NewArt { foundation;} & { collection;}, has considered which could be the next and definitive contribution to the ecosystem and society. From a deep analysis has emerged the proposal to develop, in the city of Reus, a space of 3,000 m2 meant to promote the creation of an artistic legacy linked to Science and Technology, as well as conservation and preservation for future generations. 2003: 1st Prize for technological art in Barcelona Palau Robert. 2006: ARCO-BEEP Electronic Art Award (19 uninterrupted editions). 2010: The Beep Collection is established. 2013: The .NewArt { foundation;} (NAF) is established. 2015: GAC Collector's Award. 2016: Electronic Timing. Exhibition-Workshop at the Universitat Politècnica de València. 2017: The Beep Collection is presented at the B3 Biennial of the Moving Image, Frankfurt. 2017: Reus capital of culture 2017 - exhibition at the Salvador Vilaseca Museum - Reus. 2018: The Beep Collection is presented at Ars Electronica. Has continued to do so since then. 2020: The NAF co-founds HacTe, the hub for Art, Science, Technology, and Society of Barcelona. 2022: The NAF co-organizes ISEA2022 Barcelona. 2022: The Beep Collection is changing its name to be rebranded as the .NewArt { collection;}. 2023: The .NewArt { collection;} is presented at V2_ Lab for Unstable Media. 2024: The NAF builds the New Art Centre in Reus. Hundreds of activities worldwide, coupled with over 160 artworks, forge an international reference.

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Privacy Policies <-- Return Gender Policies ESG Policy Privacy Policy RESPONSABLE In accordance with the provisions of General Regulation (EU) 2016/679 on Data Protection and Organic Law 3/2018 on Protection of Pers onal Data and guarantee of digital rights, we inform you that the personal data provided through the form registration, as well as your email address, have been included in a treatment owned by .NewArt { foundation;} hereinafter .NewArt { foundation;} , with registered office at CTRA. DE CONSTANTÍ, KM 3 TV-7211 - 43204 REUS, NIF G66063959, Registered in the Register of Foundations of the Generalitat de Catalunya, both number 2816, is in charge of the operation, management and operation of the aforementioned Web portal. E-mail info@newartf.org , in order to answer your questions and send information related to the services offered by .NewArt { foundation;} , It is reported that the data may be processed in order to provide information about our products and / or services by electronic means. Your data may be the object of profiling, in order to apply a loyalty plan according to the customer's business relationship and offer offers that are appropriate to your preferences. You may at any time oppose this type of communication, by sending an email to the address info@newartf.org and indicating in the subject "REMOVAL FROM THE DISTRIBUTION LIST". Likewise, you can exercise the rights of access, rectification, deletion, opposition, portability and limitation, by sending a letter accompanied by a photocopy of the DNI or equivalent supporting document to the following address: CTRA. DE CONSTANTÍ, KM 3 TV-7211 - 43204 REUS or by sending it by email to info@newartf.org indicating in the subject "DATA PROTECTION". POLITICS .NewArt { foundation;} , is especially sensitive to the protection of the data of the users of the services that access the website. Through this Privacy Policy, the users of newartfoundation.art are informed of the treatment and uses to which the personal data collected on the web is subjected through additional information, in order to decide, freely and voluntarily, whether they wish to provide the requested information. SECURITY MEASURES Finally, it is reported that .NewArt { foundation;} , has adopted the appropriate technical and organizational measures in the information system, in order to guarantee the security and confidentiality of the stored data, thus avoiding its alteration, loss, treatment or access not authorized; taking into account the state of the art, the application costs, and the nature, scope, context and purposes of the treatment, as well as risks of variable probability and severity associated with each of the treatments. RIGHTS OF USERS The interested party of the personal data may exercise the rights that assist him, in accordance with the General Data Protection Regulation and Organic Law 3/2018 on the Protection of personal data and guarantee of digital rights, which are: A.- The right of access may be exercised on an annual basis, except for proven legitimate interest. When exercising this right, the interested party may choose the following file query systems: - Send an email to info@newartf.org - Written communication addressed to: .NewArt { foundation;} , CTRA. DE CONSTANTÍ, KM 3 TV-7211 - 43204 REUS .NewArt { foundation;} , will proceed to notify its decision within one month. If it were in the affirmative, the interested party will be able to access the aforementioned information within 10 days of its notification. B.- The rights of rectification and deletion may be exercised, in accordance with the following provisions, provided that the interested party considers that the data collected in our processing is inaccurate, incomplete, inadequate or excessive. In this case, you can exercise them through any of the means previously provided. .NewArt { foundation;} , will proceed to rectification or deletion within 10 days of receipt of the request. C.- The right of opposition may be exercised, in accordance with the following provisions, provided that the interested party wants to oppose the processing of their personal data, whether the data is lawfully processed for legitimate interest or consent related to advertising purposes. D.- The right of portability may be exercised, in accordance with the following provisions, provided that the interested party considers that the data collected in our processing must be returned to the owner of the data, or, where appropriate, to a third party (Responsible for treatment). E.- The right to limit the treatment may be exercised, previously the right of opposition to the processing of your data, and that while the right of opposition is not resolved, the processing of the data is limited. CHANGE OF REGULATIONS .NewArt { foundation;} , reserves the right to modify this policy in order to adapt it to new legislation or jurisprudence. Such changes will be communicated as far in advance as necessary on our website, without prejudice to claiming the necessary consent of those affected when it is not considered granted in accordance with the terms of this policy. Any doubt, question or comment that you may have in reference to these regulations, do not hesitate to consult it by directing your communication to: info@newartf.org

To collect isn't just to buy and keep, it's something active, it's a process in which you must work with all the different agents, because all of us have the responsibility of creating a legacy for the future generations. Artist Recent Incorporations

Centre Services Activities Press Room <-- Return The New Art Centre is a 3,000 m2 space for the exhibition of technological art. A large space designed to promote the creation of an artistic legacy linked to science and technology, as well as for its conservation and preservation for future generations It is a mixed proposal where the conceptual and physical limits between the exhibition space and the warehouse are blurred. An open proposal in which warehouses and laboratories are visible to visitors. A human, participatory, collaborative place to learn and share. A space that, in addition to preserving and exhibiting, generates new projects and proposals. The NAC is an art space for community service, which houses both its own works and those of artists, institutions and foundations that require a specialized conservation and maintenance service. A possible work thanks to the systematic and dynamic conservation protocols, developed by the 20-year work experience of the .NewArt { collection;} in collaboration with numerous artists and curators. At the same time, protocols are based on collective research processes with the Universitat Politècnica de València since 2016. NAC key points: A 1,500 m2 warehouse accessible to the general and specialized public. More than 4,000 m3 available to artists, institutions and foundations in order to safeguard and preserve works of technological art. A strategy for activating and exhibiting works of technological art with a conservation protocol, which allows an early diagnosis and rapid intervention of the works. A space where to apply the knowledge developed with our collaborators: the Universitat Politècnica de València, the NASS Consortium (New Art Sustainability Services) and the Hacte, among others. A centre that is committed to a green culture aligned with the objectives of the New European Bauhaus; with the principles and criteria of the triple social, ecological and digital transition. Vision At the New Art Foundation we see… Technological art as a tool of innovation and social and economic transformation. Technological art as a tool for development, social cohesion and inclusion. Technological art as a training and educational tool. Mission Become a new European reference in the movement of art, science and technology at the service of the artistic community and society in general. To become a space that can be visited in its entirety by the public and researchers. Become a versatile space open to proposals. Become an inspiring space. Become a space for all audiences. Become a space to meet and share. Goals Produce Develop Keep Preserve Make visible

Production/Research Randa Art|Science Residency Ars Electronica x Institut Ramon Llull x Hac Te x .NewArt { foundation;} The Randa Art|Science Residency enables artistic research through scientific expertise. The partners invite together an artist or artist group from Catalonia to develop a new work in collaboration with the scientific partner, the Barcelona Institute of Science and Technology. The goal is to exhibit an artwork dedicated to the challenging questions around the digital transformation of our society and its impact at the Ars Electronica Festival in September 2023. The first edition of the Randa residency was awarded to artist Andy Gracie with his work Massive Binaries. https://ars.electronica.art/festival/en/randa2023/ Research, production, and exhibition program developed with Hangar and the Institut Ramon Llull, Barcelona. Artists: Monica Rikić, Roc Parés and Santi Vilanova. 2020 https://hangar.org/en/convocatories-3/beques-de-produccio-i-exhibicio-de-linstitut-ramon-llull-new-art-foundation-i-hangar/ Production program developed with Sektor Institute, Ljubljana. Artist: Robertina Šebjanič 2019 https://robertina.net/aurelia-1hz_proto-viva-generator/ Research and production program developed with Hangar, Barcelona. Artists: TopLap, PAtricio Rivera and Kenneth Dow. 2019 https://ars.electronica.art/outofthebox/en/beep-electronic-art/ Research program on preservation of Technological Art developed with the Polytechnic University of Valencia. Since 2016. Presented at the Ars Electronica Festival 2019 panel “Preservation of Media Art”. https://ars.electronica.art/error/en/preservation-conservation/ Presented at the “20th Conference of Conservation of Contemporary Art”, Museo Nacional Centro de Arte Reina Sofía. https://www.museoreinasofia.es/actividades/20a-jornada-conservacion-arte-contemporaneo Publication: https://www.museoreinasofia.es/sites/default/files/publicaciones/conservacion_20a_on_linede_arte_contemporanea_20a_jornada_1-260_media.pdf ATA (Adavanced Technology Art) Program. Training, production and research program developed with Eurecat. Participant artists to the training program: Chiara Passa, Paul Friedlander, Jaime de los Ríos, César Escudero Andaluz, Maja Kalogera, Pedro Lopes, Equipo Cafeína, Shu Lea Cheang, Anna Carreras, Olga Kisseleva. Artist selected for the production program: Paul Friedlander. Since 2015. ISEA2022 Barcelona production grants in support of artistic creation: ISEA2022 Barcelona in collaboration with the NewArtFoundation and Hac Te , Barcelona Hub of Art, Science and Technology, with the participation of Fundació Privada Reddis , Fundació Sorigué , Fundación Ernesto Ventós / Nasevo International Prize , DKV Seguros and .BEEP { collection;} announces the calls for five grants for production and research of artistic works in the field of the confluence between art, science and technology. The result of the grants will be exhibited in the course of ISEA2022 Barcelona, the 27th edition of the International Symposium on Electronic Art. https://isea2022.isea-international.org/grants/ Production-research grants from Institut Ramon Llull, NewArtFoundation, UOC, La Caldera and Hangar. The Institut Ramon Llull , New Art Foundation , Universitat Oberta de Catalunya (UOC) , La Caldera and Hangar open a call for five grants for the production-research of artistic pieces in the field of the confluence between art, science and technology. This grant program is part of the residency program of Hac Te , the art, science and technology hub of Barcelona, with the participation of the research centers Barcelona Supercomputing Center (BSC) Institute of Photonic Sciences (ICFO), or other centers attached to the Barcelona Institute of Science and Technology (BIST). The selected projects may be presented in the framework of the Ars Electronica 2021 festival, which for the second year will be held in distributed mode with Barcelona as one of its main locations, or other related events.

<-- Return PATRONAGE OF THE NEW ART FOUNDATION President Farovey, SL - Sr. Andreu Rodríguez Valveny Vocals Associació Catalana d’Enginyers de Telecomunicacions (ACET) - Sr. Gonçal Bonhome Altable Col·legi Oficial d’Enginyers Industrials de Catalunya - Sr. Miquel Manuel Obradors Melcior Col·legi Oficial d’Enginyeria Informàtica de Catalunya (COEINF) - Dra. Karina Gibert Oliveras Universitat Oberta de Catalunya (UOC) - Sr. Pau Alsina González Art Futura - Sr. Santi Fort Fernández Pausovia 2004, SL - Sr. Joaquim Barriach Sugrañes Masergrup SLU - Sra. Amèlia Ribera Gironés Piman Rova, SL - Sr. Jordi Gibert Bru Sra. Pilar Rodríguez Valveny Sra. Marie-France Veyrat Mr. Vicente Matallana - Director of the New Art Foundation Mrs. Beatriz Niño - Secretary of the Board of Trustees

Gender Policies Privacy Policies ESG Policy GENDER EQUALITY PLAN NEW ART FOUNDATION 2024-2026 Gender equality Plan In 2024, the NAF will start a small stable human structure that must accompany the launch of the new New Art Center. In its commitment to gender quality, the NAF has established a series of commitments and actions to promote gender equality in the organization and on the path to promoting women's art works. Main objective The fundamental objective that the NAF has set is to ensure equal opportunities for women in their professional practice. Target The NAF will direct its actions in gender equality for two fundamental audiences: A new balanced workforce with a male-female composition is guaranteed by the organization's human team. There are currently four women members on the board of trustees of the Foundation. In 2024, there will be a new female patron joining. Likewise, as the representatives of some official entities are expiring in the coming months, a proposal has already been made to the institutions to consider female representatives. This means that by the end of 2024, the members of the Board of Trustees will be gender neutral. The New Art Center's new manager is female and has prioritized hiring women for different roles. In the area of supporting artists, priority should be given to supporting new female artists, promoting their work, artistic residencies, and completing projects. In fact, a residency for a young female artist is planned in the 2024 work plan. Resources In terms of resources, it is possible to distinguish between economic resources, training, and other support tools. Economic resources: The NAF ensures that wages for men and women with equivalent levels of responsibility and training are completely equal. Training: The NAF ensures that training programmes are equal for men and women Supporting tools: The NAF ensures that both men and women have access to the same and appropriate tools to carry out their duties. Timeline The gender equality plan will be implemented by 2024 and will be visible through all organizational communication channels. <-- Return